On #YesAllWomen, and the Discomfort of ‘Good Men’

Lindsay Ann:

This is old news in reference to Elliot Rogers, but the author constructed a brilliant answer and I had to share it. This issue is tremendously important to me and it is not just manifested in the physical world but in the literature world as well, a perfect example being Game of Thrones (among others, of course). No matter how small, sexist comments can build up and, as the author mentions, it is a lot about who is in possession of that body (which should always be that individual). Please take a quick read.

Originally posted on Crates and Ribbons:


Following Elliot Rodger’s hate crime against women (yes, I know many news reports seem to have missed the misogynistic message he was sending, I know Wikipedia has decided to classify it as generic violence instead of violence against women, and I know The Good Men Project has decided it was really all about virginity, but make no mistake, it was a hate crime nonetheless), women all over the internet rose up with the hashtag #YesAllWomen, sharing stories of misogyny and sexual violence, pointing out how the little and not-so-little experiences that women are subjected to on a regular basis combine to create a society in which a killer like Rodger is made.

Somewhat predictably, there has been resistance from men reluctant to acknowledge the sexist culture that surrounds us; more specifically, they are uncomfortable with the idea that they, with their ‘harmless banter’ or only slightly sexist behaviour…

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Inky Wisdom

Do a favor for your fellow writers: don’t ever, I mean ever, say to them “no good story has started with [insert such and such "icky" cliche]“.  How do you know? They might be the person to change the standard, to set the bar. Do not stifle creativity because your pretentiousness has no harness.  Critiques are the embers for creativity; judgement is the black, choking smoke.


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